![]() ![]() I can clearly do it using some clever routing and folders, not using the existing Master track at all, but I was hoping there would be something a bit more streamlined I could use, more like a tap point in the chain just before hardware outs. So I could have Master 1/2 set to use the speaker calibration, but set Master 3/4 to use the headphone calibration, and have all other tracks feed both of these automaticallyīut it doesn't look like this is possible? I was hoping I could set up TWO master outputs so that I could use a separate FX chain for both. To make it work, you need an authorisation code and a calibration file in Sonarworks’ proprietary ‘.SWHP’ format, which specifies the way in which the frequency response of your headphones deviates from flat. I'm wondering if I can set that up in Reaper a bit better so I don't have to manually switch the plugin back and forth between speaker and headphone mode if I want a quick peak at how things sound in headphones. The tool has the ability to flatten your physical speakers (by measuring the room with a measurement microphone) as well as a chosen set of headphones. Anubis will then correct your room and/or headphones and you will. The plugin can also be loaded in other apps/platforms that feature plugin hosting capability in one of the formats specified below. ![]() Cubase, Logic Pro X, Pro Tools, etc.) using the Reference 4 plugin. ![]() In case you're unfamiliar with it, the software is a room/headphone calibration system to flatten out the EQ of your mixing environment. Upload your Sonarworks SoundID profiles into the Anubis for Room or Headphone correction. Sonarworks headphone and room calibration can be applied in DAW (e.g. ![]()
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